Beadle's Popular Library
WITH a rather unattractive, plain heading, looking more like Ivers' Campfire 
  Library than a Beadle publication, a new Library made its first appearance 
  on April 1, 1891. Seven years had elapsed since the beginning of the next preceding 
  series. Beadle's Popular Library (Fig. 88), 
  as the new series was called, is a thin quarto of sixteen three-column pages, 
  11¾ by 8½ inches in size, and with a black line engraving on 
  the front page. It sold for five cents or $2.50 a year, and was issued every 
  Wednesday. It was the last effort of Beadle and Adams, still at 98 William Street, 
  to recapture the nickel novel trade which had been growing poorer and poorer 
  since the introduction of the degenerate, gaudy, colored-cover novels by their 
  competitors.
 With only six exceptions, the stories in the new series are all new; and 
  for some reason or other, perhaps to infuse new life into a slowly dying business, 
  the authors also, for the most part, are camouflaged as new. The only previously 
  used name among them, except those given as authors of No. 43  a reprint 
   is Charles Morris. Perhaps the reason his name appeared is that he may 
  also have written some of the stories in this series under a pseudonym as well. 
  Of the remaining names, some have definitely been determined to be pseudonyms 
  of regular Beadle authors; thus Edward L. Wheeler's reprinted stories appeared 
  under the name Edward Lytton, William G. Patten masqueraded as William West 
  Wilder, T. C. Harbaugh as Major S. S. Scott, Arthur C. Grissom as Albert Cecil 
  Gaines, Prentiss Ingraham as T. W. King, and William H. Manning as Marcus H. 
  Waring. Among the remainder, not a single one is known to be real, and 
  it is more than probable that they are all pseudonyms of regular Beadle contributors. 
  Here appeared for the first time the names of Robert Randolph Inman, Redmond 
  Blake, Frank Fort, Edward Gaines Burnes, and T. J. Flanagan, but it is very 
  unlikely that Beadle, at this late date, was taking on any new writers. Writing 
  for Beadle, besides those mentioned above, there still remained the old crew, 
  Badger, Jenks, Cowdrick, Albert Aiken, Eyster, Whitson, and Leon Lewis, and 
  it is probable that among these and the authors previously mentioned are to 
  be found the true names of the unknowns.
 Most of the novelettes are detective stories or late-type Westerns written 
  especially for this library and appearing here for the first time. All of them 
  were later reprinted in the Half-Dime Library. They are pale and feeble 
  imitations of the early red-blooded Half-Dimes. Perhaps the authors were 
  "written out," or realized that this type of story was on its last 
  legs and so made no effort to keep up the interest. Perhaps, also, the series 
  was not advertised enough. Beadle, in his own publications, so far as I know, 
  listed them only once in a Half-Dime Library and a number of times in 
  the Banner Weekly, Vols. IX and X. They were apparently never listed 
  elsewhere. Whatever the reason, the series was not a success, and ended in less 
  than a year with No. 48, on February 24, 1892. Two more numbers were announced 
  but were never issued. With its cessation, there remained only a few publications 
  to which new numbers were hereafter added by Beadle & Adams  the Half-Dime 
  Library, Dime Library, Pocket Library, and Banner Weekly. The firm 
  was slipping.
   
   
  Fig. 88. Beadle's Popular Library 
    The last novel series begun by the firm; 48 numbers were issued in 1891 and 
    1892
    Size of original, 11½ x 8½ inches
    REDUCED